emily thing studio

EDUCATION:

  • Pratt Institute, Brooklyn, NY BFA - 1992
  • Cooper Union, New York, NY 1992-1994

SELECTED EXHIBITIONS:

  • 100 8x8s: An Ongoing Online Exhibition and Blog Project
    View 100 8x8s Portfolio Slideshow, Start Date: Dec 7, 2010
  • Cornell Street Studios, Kingston, NY
    Group Show: "Vintage Inspired", Oct - Nov 2010
  • Cornell Street Studios, Kingston, NY
    Group Show: April 10 - May 28, 2010
  • Windham Fine Art, Windham, NY
    Group Show: "Daughters of Venus", May 29, 2010 - June 27, 2010
  • Red Bluff Art Gallery, Red Bluff, CA
    Solo Show: August, 2010
  • Kaaterskill Fine Arts Gallery, Hunter, NY
    Group Show: "Presentation Without Representation" - Feb 13 - March 21, 2010
  • Seven21 Gallery, Kingston, NY
    Group Show: January 2-31, 2010
  • www.projekt30.com, Online Gallery Exhibit
    Juried Group Show - November 2009
  • Keegan Ales Gallery Space, Kingston, NY
    Solo Show: New Work - December 2008 through January 2009
  • Windham Fine Art Gallery, Windham, NY
    Group Show: "Abstract Painters Working from Nature" - November 2007
  • Keegan Ales Gallery Space, Kingston, NY
    Solo Show: Recent Paintings - August through September 2007
  • Awake Gallery, Kingston, NY
    Solo Show: Reflections - August 2006
  • www.projekt30.com, Online Gallery Exhibit
    Juried Group Show - April through May 2005
  • Skybox Gallery, Kingston, NY
    Group Show: Nature in Abstract Art - June 2004
  • Coffey Gallery, Kingston, NY
    Group Show: Holiday Show - December 2003

JURIED ART SHOWS:

  • Twist Art Fair, Northampton Center for the Arts, MA - March 2010
  • Paradise City Art, Northampton, MA - 2003, 2004, 2005

MEDIA:

  • Kingston Times, January 7, 2010
    From the article: "New Year, New Exhibits" by Lynn Woods

    ...By layering paint or pigment from oil sticks on canvas, Thing creates atmospheric color compositions, whose subtlety and texture make a lyrical appeal to the senses. Paper collage is carefully integrated into many of the works, a structural element that suggests facture. The paintings are all about process, yet the means are invisible; each work is therefore a mysterious phenomenon. The smaller, tightly wrought works are more harmonic than their larger counterparts, which take more risks: soft color abuts abrasive blacks or is rent apart by graphic schisms."

  • Poughkeepsie Journal, July 28, 2005
    Article: "Emily Thing - Going Solo"
  • Guide Magazine, June, 2005
    Featured Artist Section, double page spread
  • American Artist Magazine, Sept/Oct Edition, 2004
    Article: Successful artists submitting work digitally - 3 paintings featured

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